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Joanne Paul reviews Thomas More’s life, work, and reputation while placing him in the wider Tudor world. She opens with the pivotal relationship between More and Erasmus: they met in 1499 (at the same time as the young Prince Henry), initially clashed, then developed a friendship that led Erasmus to dedicate In Praise of Folly to More. Paul treats More’s Utopia as an intentional enigma—a riddle that mixes satire, provocation and serious critique. She highlights concrete textual examples (Utopians using gold as chamber pots and chains of office implying servitude) and stresses the book’s layered narration: the island account comes via Raphael Hythloday and is framed by debates between the fictional More and other interlocutors, which forces readers to decide how literal or aspirational the model is.
Paul confronts the harder corners of More’s biography without flattening him into simple categories of hero or villain. She notes More’s vigorous defence of Catholic unity, his imprisonment and interrogation of dissenters, and that as Lord Chancellor he was associated with three burnings at the stake—while cautioning that large modern claims of mass executions by More are exaggerated and that evidence for his personally ordering torture remains unresolved. Paul argues that fear of social breakdown drove More’s harshness and that understanding those motives matters more than moral caricature. She also surveys cultural context: Holbein’s portrait (and family group) captures More’s intimate reputation; popular dramas (Robert Bolt’s Man for All Seasons) reshape More to serve 20th‑century ideals of conscience, often contrary to his anti‑individualist stance; and Tudor England’s rising grammar schools, humanist currents, and recovered classical and Near Eastern texts helped produce the intellectual soil for Shakespeare and early scientific practices (including alchemical methods). Finally, Paul—affiliated with the University of Sussex and author of the recent Thomas More biography—announces a forthcoming book, Tyrant, about Henry VIII’s tyranny and contemporary responses, signaling continued interest in the political and moral puzzles of the Tudor age.
Joanne Paul (guest) says Thomas More met Erasmus and the young Prince Henry (future Henry VIII) in 1499; Erasmus initially disliked More but soon admired him and later dedicated In Praise of Folly to More.
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