Christopher Nolan's The Odyssey may be the most pro-Western civilization film Hollywood has made in decades - not because it flatters the Greeks, but because it understands civilization as a moral achievement rather than an ethnic possession.
The identitarian far-left and far-right share a premise: that the Western canon is ethnic property. One side condemns it on that basis; the other guards it on the same basis. Nolan refuses the premise, populating Homer's world with various identities while treating the story with absolute seriousness. That’s not a repudiation of the canon but evidence of its triumph: Homer can be inhabited by, and speak to, anyone.
The film’s deepest commitment is to individual moral agency. Odysseus cannot hide behind Greece, military orders, or victory. His choices are his own, and so is his guilt. No collective cause dissolves individual moral responsibility; his final heroism lies not in conquest, but atonement.
That principle extends to hospitality: treat the stranger as you would wish to be treated. When the Greeks violate it, they become the barbarians they fear. Penelope's devastating realization - "You're the people from the sea" - underscores that the enemies of civilization are sometimes its self-appointed defenders, exempting themselves from the principles they claim to uphold.
This is Western civilization at its best - not an ethnicity or a triumphalist myth, but a tradition built around the dignity of the individual, moral responsibility, and atonement. And a civilization strong enough to preserve stories that judge its own heroes remains a civilization worth defending.