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Richie Culver Has Better Taste Than I Do

Brief

Richie Culver, the UK multidisciplinary artist behind Quiet Husband, recommends Floid’s Yayomia (Omen Wapta, 2023) for its immersive, continuous techno journey and potent club-ready low end—singling out “Kazipé.” Culver, who debuted Quiet Husband in 2024 and released I Trust Pain in 2025, has an EP Lands due next week and a wide slate of cross-genre collaborations.

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title: Richie Culver Has Better Taste Than I Do

author: First Floor

content_type: newsletter

publication: substack.com

published: 2026-02-04T12:36:17+00:00

source_url: gmail://19c28a80a92c5e65

word_count: 1031

A guest recommendation from the multidisciplinary UK artist, whose techno-oriented creations are issued under the name Quiet Husband.

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Hello there. I ’m Shawn Reynaldo, and welcome to First Floor, an electronic music digest that includes news, interviews, new release recommendations and examinations of the issues affecting the larger scene / industry that surrounds the music. This is a free edition of the newsletter; access to all First Floor content (including the complete archive) requires a paid subscription, which you can sign up for by clicking the button below. (Alternately, you can also support the newsletter by making a one-time donation here.)

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Richie Culver Has Better Taste Than I Do

Shawn Reynaldo

Feb 4

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First Floor is in many ways a one-person operation, but every Wednesday, the newsletter fully cedes the spotlight to an artist, writer or other figure from the music world, inviting them to recommend a piece of music.

Today ’s recommendation comes from Richie Culver, a multidisciplinary artist from the UK who during the past few years has been focusing more and more on his techno-oriented Quiet Husband alias. Although he first came up with the moniker back in the early 2000s, it wasn’t until 2024 that the project officially debuted, and following a series of releases on labels like Industrial Coast, Deathbed Tapes and Drowned by Locals, he’s prepped a new EP, _Lands _, that ’s scheduled to arrive next week. The record, like all Quiet Husband offerings, weaves elements of noise and sonic abstraction into its propulsive techno lattice, yet Culver often ventures even further afield when he’s outside of the club and working under his own name.

He ’s a celebrated painter and visual artist, and musically speaking, he infuses his compositions—and his poetic, spoken-word-style vocals—with gloomy textures, low-end pressure and a sense of post-industrial malaise that virtually anyone raised in the forgotten corners of the UK (i.e. anywhere but London, and the North in particular) will immediately recognize. The title of his 2025 album, _I Trust Pain _, speaks directly to the beleaguered resilience of his worldview, and while Culver ’s solo outings are undeniably potent, it’s worth noting that his catalog does include an impressive string of collaborations with the likes of Blackhaine, Moor Mother, Pavel Milyakov, Billy Woods, Teresa Winter, Aho Ssan, Space Afrika and Rainy Miller.

In short, Culver isn ’t someone who’s work can be neatly summed up—and it’s all the better for it. Here, however, he’s specifically popped on his Quiet Husband hat, and shares a record that reflects his particular preferences when it comes to techno.

Floid – Yayomia (Omen Wapta, 2023)

Floid is one of my favorite producers at the moment within this style of techno, and _Yayomia_ is a big reason why. I play multiple Floid records whenever I’m DJing as Quiet Husband, and they consistently bring a depth and atmosphere that feels considered and timeless.

I’m a massive fan of the Omen Wapta label in general, but this specific record stands apart, even within the context of such a strong catalog. _Yayomia_ feels genuinely otherworldly. Rather than presenting itself as a collection of individual tracks, it unfolds like a continuous journey. From the opening moments, it transports you into a completely different universe—one that’s immersive, hypnotic, and deeply absorbing.

The drum patterns roll with a quiet authority, balancing restraint and propulsion while subtle shifts in texture keep everything going. There’s a meditative quality to the sound design, yet it never loses its physical impact on a proper system or in a club context. This is techno that reshapes the space it occupies, pulling you inward rather than pushing out. “Kazipé” is probably my favourite track on the record; it’s like being stuck in someone else’s sleep paralysis.

Even as a sober person, when I listen to this record, it instantly takes me to another place.

First Floor is published and overseen by Shawn Reynaldo, a freelance writer, editor, presenter and project manager. Find him onLinkedIn and Instagram—and make sure to follow First Floor on Instagram as well—or you can just drop Shawn an email to get in touch about projects, collaborations or other potential opportunities.

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